This plug-in has the capability to easily reproduce this mod, by adjusting only a few parameters. Many users of the Boss OC-2 pedal seek to add a hardware modification that disables the output filter and dynamics sections in order to produce a more synth-like tone.“Listen” radio buttons allow the user to tap the audio at any stage to hear what’s happening behind the scenes, and bypass certain sections if desired.Includes a “tuning” control to affect the zoom ratio. A scope displays both the key signal and the output signal, so the use can see how the plug-in is operating, and help identify what controls need to be adjusted in order to track more accurately or produce the intended sound.A DC-offset switch corrects the input signal to improve tracking on rectified or offset signals.In phase-multiplier mode, the full dynamics of the key signal are retained. In additive mode, dynamics for the oscillators can be controlled either by a noise gate or an envelope follower, both keyed off the input signal.The additive mode simply mixes in the octave down signals (via user-adjustable levels and wet/dry balance), whereas the phase-multiplier mode flips the phase of the key signal, following the state of the selected oscillator. Option for two modes of operation: additive oscillators or phase-multiplier.Both on oscillator outputs (changes tone from full square wave to pure sine, or anywhere in between) as well as on the detection circuit (which can fine-tune the accuracy of the octave-divider’s tracking).Controls to all the typically fixed values for low-pass filters.It’s unique from the Boss and other pedals, and other octaver plug-ins, in that it offers: It’s based on the popular Boss OC-2 pedal, but with many more features and customizability far beyond what other octavers offer. I found the OC-5 sounds incredibly organic in its bass emulation when set to “Bass” if you’re playing guitar, but the difference is immediately audible when set back to “Guitar” in how the low- and high-end frequencies become more focused for clarity.Īll together, and for its simple versatility, the OC-5 is an essential pedal for any player willing to take their tone deeper.OC-D2 is an octaver plug-in that generates a signal one and/or two octaves below the original. It’s also a matter of application, but I encourage you to play around with the Bass/Guitar switch. In most cases I find them useless, but the OC-5 could benefit from an included illustration of sample settings for guitarists new to the pedal, but this is a minor fuss for me. ![]() In Poly mode, the OC-5’s stacked octave bass tones cleanly isolate the low root notes to accompany your chording for extra density, and the upper octave control is good for adding warbly chime to the upper registers or a hint of 12-string shimmer.īlending all three octave voices in Poly mode can fetch super-plump organ textures and synth-like impressions as well. Set to Vintage mode, the OC-5 can play a vital role for adding a subterranean layer of bottom end or bellowing growl to basslines, and guitarists will find it an indispensable tool for providing massive rumble to power chords. ![]() But I’m one of those players that finds this musically endearing. The OC-5 is also better at subduing the momentary artefacts that could sporadically bounce to an upper harmonic octave or something else entirely, and emerge only if you hold a couple notes together – one after another – for the musical glitch to pop up. Gone is the very slight sluggishness of the OC-2 in favor of the OC-5’s stellar tracking and near latency-free performance that flat-out feels great for accurate playing. As always, Boss not only improves but exceeds expectations with this new iteration of their classic octave pedal.
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